Hamburger Michel, 1980–83
Synthetic polymer, silkscreen inks and diamond dust on canvas
125.4 × 104.8 cm
‘The Swing (after Fragonard)’ by Yinka Shonibare (2001)
Maybe being powerful means to be fragile.
I just finished watching the documentary Ai Weiwei: Never Sorry by director Alison Klayman and it moved me to tears. If you get a chance, watch it. You won’t regret it.